Led by Music Director Thomas Dausgaard, the Seattle Symphony unleashes the power of music, brings people together and lifts the human spirit. Since its first performance in 1903, the Seattle Symphony has become a pillar of the cultural landscape in the Pacific Northwest.
Recognized as one of the “most vital American orchestras” (NPR), the Seattle Symphony is internationally acclaimed for its inventive programming, community-minded initiatives and superb recordings on the Seattle Symphony Media label. With a strong commitment to new music and a legacy of over 150 recordings, the orchestra has garnered five Grammy Awards, 26 Grammy nominations, two Emmy Awards and was named Gramophone’s 2018 Orchestra of the Year.
The Symphony performs in Benaroya Hall in the heart of downtown Seattle from September through July and recently expanded its digital presence with the launch of its streaming platform, Seattle Symphony Live. The Seattle Symphony reaches over 730,000 people annually through live performances and radio broadcasts.
Jan Lisiecki, Piano
“Pristine, lyrical and intelligent” (The New York Times)
“A musician of unusual refinement and imagination” (Boston Globe)
Jan Lisiecki’s interpretations and technique speak to a maturity beyond his age. At 25, the Canadian performs over a hundred yearly concerts worldwide, and has worked closely with conductors such as Antonio Pappano, Yannick Nézet-Séguin, Daniel Harding, and Claudio Abbado (†).
Following his acclaimed Night Music recitals, Lisiecki recently presented both a new solo recital programme and a Beethoven Lieder cycle with baritone Matthias Goerne, among others at the Salzburg Festival. Recent return invitations include Boston Symphony Orchestra, The Philadelphia Orchestra, Filarmonica della Scala, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orpheus Chamber Orchestra for performances at Carnegie Hall and Elbphilharmonie Hamburg. Lisiecki has appeared with the New York Philharmonic, San Francisco Symphony, Staatskapelle Dresden, Bavarian Radio Symphony and London Symphony Orchestra.
Having signed an exclusive contract with Deutsche Grammophon at fifteen, Lisiecki’s sixth album for the label sees him leading the Academy of St Martin in the Fields from the piano for all five Beethoven concertos. The September 2019 release, recorded live from Konzerthaus Berlin, is the first within the label’s celebration of the Beethoven Year 2020. In March 2020, Deutsche Grammophon released Beethoven Lieder with Matthias Goerne, which was recently awarded the Diapason d’Or. Earlier recordings have been awarded with the JUNO and ECHO Klassik.
At eighteen, Lisiecki became both the youngest ever recipient of Gramophone’s Young Artist Award and received the Leonard Bernstein Award. He was named UNICEF Ambassador to Canada in 2012.
Thomas Dausgaard, Music Director
Danish conductor Thomas Dausgaard is Music Director of the Seattle Symphony and Chief Conductor of the BBC Scottish Symphony Orchestra. He also holds titles as Conductor Laureate of the Swedish Chamber Orchestra (having served as Chief Conductor from 1997-2019), Honorary Conductor of the Danish National Symphony Orchestra (Chief Conductor from 2004–2011), and Honorary Conductor of the Orchestra della Toscana. He has been awarded the Cross of Chivalry by the Queen of Denmark, and elected to the Royal Academy of Music in Sweden.
Dausgaard enjoys a distinctive profile as an artist “of huge conviction and outrageously good musicianship” (Europadisc), renowned for his creativity and innovation in programming, an extensive catalogue of critically-acclaimed recordings, and an “uncanny ability to project a sense of the necessity of the musical trajectory” (Bachtrack). He is passionate about music’s engagement with society and the issues of our time, and its relevance and potential as a vital and innovative force in the life of current and future generations.
As Music Director of the Seattle Symphony, alongside highly praised recordings of repertoire including Mahler’s Symphony No. 10, Nielsen’s symphonies, and the tone poems of Richard Strauss, he introduced an innovative “Roots” program spotlighting dialogue between artistic traditions and contextualizing works like Sibelius’ Kullervo and Stravinsky’s Rite of Spring with folk musicians, Rachmaninov’s Symphony No. 2 with orthodox chant, and Strauss’ Alpine Symphony with traditional alphorns and Bavarian dance. The “Roots 2.0” project will see the orchestra inviting American artists from other genres to co-create symphonic music, as well as commissioning leading international composers to write new works inspired by and paired with Sibelius’ symphonies.
With the BBC Scottish Symphony, and fascinated with Scotland’s unique culture and its centuries of attraction for artists, Dausgaard has commissioned a range of works from British and international composers under the theme “Scottish Inspirations.” Again his experimental “roots” programs – many of them showcased at the BBC Proms – have shed revelatory light on composers like Brahms, Mahler, Debussy, Nielsen, Bartok and Sibelius – and forged collaborations with leading artists of other genres. Following the acclaimed recording of Sibelius’s Kullervo for Hyperion, he has embarked on a cycle of Bartok’s orchestral works for Onyx Classics, foregrounding the composer’s diversity of expression and inspiration from native musical cultures. International tours have taken the partnership to a weeklong residency in Tokyo, presenting the BBC Proms in Japan for the first time, a residency in Salzburg, and performances at Vienna’s legendary Musikverein.
As the artistic figurehead of the Swedish Chamber Orchestra for over two decades, Dausgaard established the orchestra’s position on the international scene with the only complete recording of Beethoven’s complete orchestral works under the same partnership. Introducing historically-informed instruments, playing and seating arrangements, he developed the orchestra into one of the busiest touring and recording ensembles in Scandinavia, and explored the opportunities of bringing a chamber orchestra’s stylistic approach to more expansive symphonic repertoire, recording for BIS Records major works of Schubert, Schumann, Brahms, Bruckner, Wagner, Tchaikovsky and Dvorak. The “Brandenburg Project,” showcased at the 2018 BBC Proms, and released as a recording in 2021, commissioned six substantial new works from leading composers, to pair with J.S. Bach’s celebrated concerto cycle. Together Dausgaard and the Swedish Chamber have appeared at music centers around the world, including the Salzburg Festival, and his own orchestrations of Brahms’ Hungarian Dances are featured on their recording of the Brahms symphony cycle. In 2020 the partnership debuted his orchestration for choir and orchestra of Mussorgsky’s Pictures at an Exhibition, celebrating the close artistic relationship with the Swedish Radio Choir.
Throughout his successive positions as Principal Guest Conductor, Chief Conductor, and Conductor Laureate, Dausgaard led the Danish National Symphony Orchestra at home and on countless successful tours. With numerous recordings for EMI, Virgin, Chandos and DaCapo, the opening of the new concert hall in Copenhagen in 2009, and the introduction of a new highly successful after-work series, the collaboration highlighted a notable commitment to Nordic music, forging deep artistic relationships with the leading Danish composers Nørgård, Gudmundsen-Holmgreen, Ruders, Abrahamsen and Sørensen, and spearheading a newly published and recorded edition of Rued Langgaard’s cycle of sixteen symphonies.
As a guest conductor Dausgaard maintains close connections with many of the world’s leading orchestras including London’s Royal Philharmonic Orchestra, the Vienna Symphony, Gewandhausorchester Leipzig, the Symphonieorchester des Bayerischen Rundfunks, the Rundfunk-Sinfonieorchester and Konzerthausorchester Berlin, Swedish Radio Symphony, Gothenburg Symphony, Toronto Symphony, Houston Symphony, and the Bergen Philharmonic with whom he is recording a cycle of Bruckner symphonies for BIS. He has also recently appeared with the New York Philharmonic, St Petersburg Philharmonic, Orchestre Philharmonique de Radio France, Seoul Philharmonic, New Japan Philharmonic, as well as with Cleveland and Philadelphia Orchestras, the Los Angeles Philharmonic, London Symphony, Philharmonia Orchestra, Chamber Orchestra of Europe and Munich Philharmonic. He also appears regularly at prestigious festivals worldwide, notably the BBC Proms, the Edinburgh International Festival, the Salzburg Festival, Mostly Mozart, the George Enescu Festival, and Tanglewood.
European touring in 2023 for the Seattle Symphony is by Tanja Dorn at Dorn Music.
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