JEAN-CHRISTOPHE SPINOSI

“The conductor Jean-Christophe Spinosi, showing sensitivity to the intricacies and sparkle of Rossini’s score, led the excellent Ensemble Matheus in a beguiling performance.” 
– New York Times

“Voluble, expressive, even magical, Jean-Christophe Spinosi. . . has proven once again that he is a Vivaldian of the highest order!”
– Le Monde

A modern, baroque, and profoundly humanistic musician, Jean Christophe Spinosi has pursued a brilliant international career.

At the head of his Ensemble Matheus, he has performed regularly at the Théâtre des Champs-Elysées, Theater an der Wien, Salzburg Festival, Liceu in Barcelona, Staatsoper in Berlin… as well as created numerous atypical projects mixing baroque repertoire with contemporary music and street artists.

The symphonic and opera worlds rapidly opened their doors to him, recognizing his audacious interpretations. He is a regular guest of the greatest international orchestras such Berlin Philharmonic Orchestra, Vienna Philharmonic Orchestra, Orchestre de Paris, Berlin Radio Orchestra, Vienna Symphony Orchestra, Konzerthausorchester Berlin, Deutsche Symphony Orchestra Berlin, Vienna Radio Orchestra, Spanish National Orchestra, Monte Carlo Philharmonic, Hr-Sinfonieorchester Frankfurt, City of Birmingham Symphony Orchestra, Scottish Chamber Orchestra, Moscow National Chamber Orchestra, Royal Stockholm Philharmonic, New Japan Philharmonic of Tokyo, Osaka Philharmonic … with whom he performs in prestigious halls, from the Berlin Philharmonic to Carnegie Hall in New York, the Palais Garnier in Paris, the Suntory Hall in Tokyo to the Tchaikovsky Concert Hall in Moscow.

Jean Christophe Spinosi’s artistic collaborators include soloists such as Cecilia Bartoli, Philippe Jaroussky, Janine Jansen, Maxim Vengerov, Maria João Pires, Marie-Nicole Lemieux, Natalie Dessay, and Jakub Józef Orliński.

Spinosi has conducted nearly all of Rossini’s operas, including new productions of Le Comte Ory at the Theater an der Wien. He has a keen sense for programming works from the French repertoire, including the operas of Bizet and the symphonic works of Ravel and Debussy.

Jean-Christophe Spinosi is represented worldwide by Tanja Dorn at Dorn Music.

Ensemble Matheus has been working for 30 years to renew the interpretation of baroque and classical repertoire on period instruments. Drawing on modern musicology, it has brought to light numerous works of Vivaldi with whom the ensemble’s name is indelibly associated. Equally at home on baroque and modern instruments, Ensemble Matheus also regularly performs works from the Romantic and modern periods. With the same rigour and passion they also explore the worlds of traditional, popular and urban music, encouraging the musicians to mix genres and periods, drawing on past centuries but open to modern-day society. The “baroque attitude” that Ensemble Matheus brings to a whole repertoire opens the way to new interpretations, from the faithful restitution of manuscripts to experimental research. As artists of the 21st century, they make historical restitution on period instruments an ever-renewable act of creation.

Based in Brittany, where it frequently performs in the major regional opera houses, the ensemble also appears regularly at the Théâtre des Champs-Elysées, Opéra National de Paris, Théâtre du Châtelet, Royal Opera of Versailles, Vienna Opera, Theater an der Wien, Salzburg Festival, Liceu of Barcelona, Teatro Colón of Buenos Aires, Royal Opera of Stockholm, and the opera houses of Hamburg, Zurich, Madrid, London, Berlin, Moscow. It is equally committed to bringing music to smaller and underprivileged communities across France and abroad.

Over the coming seasons, the Ensemble is embarking on a major project called L’Olimpiade, conceived by Jean-Christophe Spinosi and linked to Vivaldi’s opera of the same name… Created in 2019 and running up until the Paris Games in 2024 the Ensemble will present the work in various forms, from a series of short films, to a travelling opera, to a major opera production merging sport and music in a new artistic gesture.