Schmitt found colours that taught a sense of wonder

(Wiener Zeitung)

Christian Schmitt is one of the most sought-after organists internationally. The highlights of his extensive concert career to date have been performances with the Berlin Philharmonic under the baton of Sir Simon Rattle, at the Salzburg Festival with Magdalena Kožená, in the Walt Disney Concert Hall presented by the Los Angeles Philharmonic and in Dallas Symphony Hall, concerts with the Staatskapelle Berlin conducted by Daniel Barenboim, with the Philadelphia Orchestra under Paavo Järvi, with the Czech Philharmonic and Jakub Hrůša at the BBC Proms, with the Hong Kong Philharmonic Orchestra under Jukka-Pekka Saraste and with the Brno Philharmonic under Dennis Russell Davies in New York’s Carnegie Hall; as well as the Japanese premiere of Toshio Hosokawa’s “Embrace – Light and Shadow” with the Tokyo Metropolitan Symphony Orchestra at Suntory Hall and the release of his recording of Hindemith’s “Kammermusik” (Chamber Music) No. 7 with conductor Christoph Eschenbach.

In 2021/22, Christian Schmitt was “Artist in Focus” of the Tonhalle Orchestra Zurich as well as curator of the “International Organ Festival” there, where he inaugurated the new organ under the direction of Paavo Järvi. Since 2014, he has been closely associated with the Bamberg Symphony Orchestra, for which he curates the organ series for the Bamberg Concert Hall as Principal Organist. He has held similar positions with the Saarbrücken State Orchestra (Artist in Focus, Music Director Sébastien Rouland) and the Augsburg Philharmonic Orchestra (Artist in Residence, Music Director Domonkos Héja). In Kaohsiung, Taiwan, he is Artistic Director of the Weiwuying Organ Festival at the largest organ in Asia.

Christian Schmitt has also played the organs of the Elbphilharmonie Hamburg, the Konzerthaus Berlin, the Viennese Musikverein, the Gewandhaus Leipzig and the Maison Symphonique Montréal and has worked with conductors and soloists such as Juliane Banse, Sibylla Rubens, Matthias Goerne, Thomas Hampson, Philippe Herreweghe, Manfred Honeck, Matthias Höfs, Marek Janowski, Cornelius Meister, Thomas Søndergård and Michael Volle.
Further orchestras with which he has performed include the Gothenburg Symphony Orchestra, the Warsaw Philharmonic, the Munich Philharmonic, the Royal Scottish National Orchestra and the radio symphony orchestras of NDR, WDR, SWR, MDR, SR and ORF.

Christian Schmitt’s discography includes more than 40 recordings. For Deutsche Grammophon, Schmitt recorded two CDs for the project ‘Bach 333 – The New Complete Edition’ and the album ‘Prayer’ with Magdalena Kožená. His recording of Widor’s organ symphonies Opp. 42.3 and 69 was awarded the “Echo Klassik” prize. As a passionate educator, Christian is a guest lecturer at universities worldwide. Since 2021 he has been teaching as Professor of Organ and successor to Ben van Oosten at Codarts University Rotterdam.

Christian Schmitt has worked and continues to work as an expert consultant for organ renovations and new constructions in Berlin, Nuremberg, Zurich, Lucerne and Brno. He is a member of numerous international competition juries and is an honorary supporter of the music education project ‘Rhapsody in School’ and the German Academic Scholarship Foundation (Studienstiftung des deutschen Volkes). 

Christian Schmitt studied with Daniel Roth (Paris), Leo Krämer (Saarbrücken) and James David Christie (Boston).


Christian Schmitt is represented worldwide by Tanja Dorn at Dorn Music.

This approved biography is not to be altered or shortened without the management’s permission. Please replace older versions.

 November 2024

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Title: Bach 333
Composer: J.S. Bach
Other Artists: 
Released: 2018
Label: Deutsche Grammophon

Title: Joseph Jongen: Symphonie Concertante for Organ and Orchestra op.81
Composer: J. Jongen
Other Artists: Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Martin Haselböck- conductor
Released: 2016
Label: Classic Produktion Osnabrück (cpo)

Title: Prayer
Composer: Various
Other Artists: Magdalena Kozena – mezzo-soprano
Released: 2014
Label: Deutsche Grammophon

Title: Charles-Marie Widor: Symphonie Nr.3 op.69 for Organ & Orchestra
Composer: C. M. Widor
Other Artists: Bamberg Symphony, Stefan Solyom – conductor
Released: 2012
Label: Classic Produktion Osnabrück (cpo)

Title: Charles Koechlin; Organ Works
Composer: Ch. Koechlin
Other Artists: 
Released: 2011
Label: Classic Produktion Osnabrück (cpo)

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Janáček: Organ Solo from Glagolitic Mass

Liszt: Fantasy and Fugue on the chorale “Ad nos ad salutarem undam”

Vivaldi: Concerto in G major RV 310, for Trumpet and Organ

Jongen: Symphonie Concertante for Organ and orchestra, Op. 81

EXPERT CONSULTANT FOR CONCERT HALL ORGANS

Between 2010 and 2012, Christian Schmitt worked in close collaboration with Martin Haselböck as consultant for the project lead by the Berliner Philharmoniker Foundation for the renovation of their pipe organ. Since, he has been a sought after consultant by many of the world’s leading venues. He was the lead consultant for the Stavanger (Norway) and Berlin installations of a new electric console and he currently serves as consultant for the Tonhalle Zurich where they are constructing a new organ, for the KKL in Luzern as a committee member for a new stage console, and as chair committee member for the construction of a concert hall in Brno. He has consulted with both Radio France in Paris and the Trondheim Cathedral in Norway for their recent organ projects. His extensive experience in playing in and with orchestras –as soloist and as member of the ensemble-, and his renown as international recitalist, constitute the foundation for his knowledgeable advice.

In Christian Schmitt’s own words:

“Set free from all liturgical functions, the concert hall organ must meet various artistic demands: it stands as a solo instrument, but must also be apt to play with choir and orchestra, both in concert and in accompaniment formations with voices and instruments.“

For the construction or renovation of a concert hall, architects, acousticians, and organ experts are consulted –he adds: “A pipe organ as built-in element of a concert hall exerts considerable influence on its acoustics.”

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Anthony Acocella

Vice President, Touring & Artist Management
Phone: +1 646 920 2950
Email: acocella@dornmusic.com